查詢教學大綱與進度

教學大綱與進度

課程基本資料：

學年期課號課程名稱階段學分時數修教師班級人撤備註

110-2 301989 文化研究與跨文化溝通 1 3.0 3 ★ 陳岡伯英文二 26 0 　

學年期	課號	課程名稱	階段	學分	時數	修	教師	班級	人	撤	備註
110-2	301989	文化研究與跨文化溝通	1	3.0	3	★	陳岡伯	英文二	26	0

教學大綱與進度：

教師姓名陳岡伯

Email kpchen@ntut.edu.tw

最後更新時間 2022-04-10 12:57:23

課程大綱 As an all-encompassing term, the word culture has multiple meanings. Anything involving human activity can be included in the domain of culture. Most importantly, culture is deeply connected with our sense of identity; our culture defines who we are. And culturally-determined identification can a blessing that empowers our subjectivity, but it can also be a confinement that we strive to be free from. In this course, we will approach important topics in cultural studies from the perspectives of gender, race, and violence, the three issues that most intrinsically connected to identity, by reading theoretical texts and critical essays and viewing related films. Ideally, the course will familiarize students with key concepts in cultural studies and cultivate their critical thinking. Furthermore, the instructor hopes that the course can help students identify potential topics of their senior projects and establish valid approaches.

課程進度 *Tentative, subject to changes Week 1: Introduction: culture and cultural studies Week 2-8: Gender and discourse Introductory text: “Gender and Sexuality” by Michael Ryan Supplementing theoretical text: “The Incitement to Discourse” by Michel Foucault Critical essay 1: “Visual Pleasure and Narrative Cinema” by Laura Mulvey Critical essay 2: “The Trouble with Prince Charming, or He Who Trespassed Against Us” by Roxanne Gay Critical essay 3: “Defining the Monster Queer in the Classical Hollywood Horror Film” by Harry Benshoff Film viewing: Interview with the Vampire (1994) Week 9-12: Race and identification Introductory text: “Ethnicity” by Michael Ryan Supplementing theoretical text: “Introduction” to Orientalism by Edward Said Critical essay 1: “Blaxploitation Horror Films: Generic Reappropriation or Reinscription?” by Harry Benshoff Critical essay 2: “The Women of Get Out: Femininity, Race, and Betrayal in the Contemporary Horror Film” by David Greven Film viewing: Get Out (2017) Week 13-17: Violence and horror in popular culture Introductory text: excerpts from Regarding the Pain of Others by Susan Sontag Supplementing theoretical text: “Approaching Abjection” by Julia Kristeva Critical essays: to be decided Film viewing:Episodes from NBC’s Hannibal (tentative) Week 18: Group presentations

評量方式與標準 Attendance and participation: 20% Group presentation: 40% Final paper: 40%

使用教材、參考書目或其他 【遵守智慧財產權觀念，請使用正版教科書，不得使用非法影印教科書】

使用外文原文書：是
All reading texts will be provided by the instructor. Google Drive link: https://drive.google.com/drive/folders/172Y6XT-krUeNkYUlrm_Ig9DaQZgVCZVJI5kQJORkcioO-_1AHuot_IVkjINeg_G5Q0dW_vAH

課程諮詢管道

課程對應SDGs指標

備註
若需遠距教學將以Google Meet線上授課: meet.google.com/zfd-pyjd-rhb

教師姓名	陳岡伯
Email	kpchen@ntut.edu.tw
最後更新時間	2022-04-10 12:57:23
課程大綱	As an all-encompassing term, the word culture has multiple meanings. Anything involving human activity can be included in the domain of culture. Most importantly, culture is deeply connected with our sense of identity; our culture defines who we are. And culturally-determined identification can a blessing that empowers our subjectivity, but it can also be a confinement that we strive to be free from. In this course, we will approach important topics in cultural studies from the perspectives of gender, race, and violence, the three issues that most intrinsically connected to identity, by reading theoretical texts and critical essays and viewing related films. Ideally, the course will familiarize students with key concepts in cultural studies and cultivate their critical thinking. Furthermore, the instructor hopes that the course can help students identify potential topics of their senior projects and establish valid approaches.
課程進度	*Tentative, subject to changes Week 1: Introduction: culture and cultural studies Week 2-8: Gender and discourse Introductory text: “Gender and Sexuality” by Michael Ryan Supplementing theoretical text: “The Incitement to Discourse” by Michel Foucault Critical essay 1: “Visual Pleasure and Narrative Cinema” by Laura Mulvey Critical essay 2: “The Trouble with Prince Charming, or He Who Trespassed Against Us” by Roxanne Gay Critical essay 3: “Defining the Monster Queer in the Classical Hollywood Horror Film” by Harry Benshoff Film viewing: Interview with the Vampire (1994) Week 9-12: Race and identification Introductory text: “Ethnicity” by Michael Ryan Supplementing theoretical text: “Introduction” to Orientalism by Edward Said Critical essay 1: “Blaxploitation Horror Films: Generic Reappropriation or Reinscription?” by Harry Benshoff Critical essay 2: “The Women of Get Out: Femininity, Race, and Betrayal in the Contemporary Horror Film” by David Greven Film viewing: Get Out (2017) Week 13-17: Violence and horror in popular culture Introductory text: excerpts from Regarding the Pain of Others by Susan Sontag Supplementing theoretical text: “Approaching Abjection” by Julia Kristeva Critical essays: to be decided Film viewing:Episodes from NBC’s Hannibal (tentative) Week 18: Group presentations
評量方式與標準	Attendance and participation: 20% Group presentation: 40% Final paper: 40%
使用教材、參考書目或其他	【遵守智慧財產權觀念，請使用正版教科書，不得使用非法影印教科書】使用外文原文書：是 All reading texts will be provided by the instructor. Google Drive link: https://drive.google.com/drive/folders/172Y6XT-krUeNkYUlrm_Ig9DaQZgVCZVJI5kQJORkcioO-_1AHuot_IVkjINeg_G5Q0dW_vAH
課程諮詢管道
課程對應SDGs指標
備註	若需遠距教學將以Google Meet線上授課: meet.google.com/zfd-pyjd-rhb