Course Syllabus

Course Information：

Year-Semester	Course Number	Course Name	Phase	Credits	Hours	Required/Elective	Instructor	Class	Student NO.	Withdraw	Note
Spring Semester Year 2024	327508	New Approaches in Moving-Image Studies	1	2.0	2	★	Wu,Hsin-Yi	4CVD2	18	1	限25人

Course Plan：

Instructor	Wu,Hsin-Yi　Office Hours
Email	cinewu@mail.ntut.edu.tw
Last Updated	2024-05-20 09:34:20
Course Objective	This course will provide an introduction to the history and theory of moving images with a focus on the spectatorship. Moving images have a variety of art forms, such as film, video, streaming media and the other different kinds of audiovisual installations. This course attempts to begin with historical film contexts. Furthermore, the discussion moves to the changing paradigms of moving images, and ends with considering the digital media as a new art form which shifts the moving images from movie theater to the diverse exhibiting, such as museum, gallery and online sites. A variety of cinematic contexts from essays to the selected experimental moving images will be screened and discussed.
Course Schedule	Section 1 wk1-3 What is moving images? A sensory approach to the interaction between screen and spectators. (R): Berger, John. Ways of Seeing. Ch 1 (R): Sobchack, V.. 2004. ”What My Fingers Knew,” in Carnal Thoughts: Embodiment and Moving Image Culture. CA: University of California Press, Ltd.. 53-84. (Hang-out): Gorky, Maxim. 1896. “Lumiere’s Cinematograph”. Section 2 Wk4-6 Gaze and body on screen (R): Berger, John. Ways of Seeing. Ch2-3 (R): Laura Mulvey, 1975, Visual Pleasure and Narrative Cinema. (S): Vertigo，1958、Rear Window，1954、The Piano，1993. Wk 7-8 Mid-term oral presentation Wk 9 mid-term study Section 3 wk10-12 Moving images in museum (R): McKenzie Jon, 1997. “Laurie Anderson for Dummies,” TDR, Vol. 41. No.2 (Summer) pp.30-50. The MIT Press. (S): The Raft, Bill Viola(2004) , Laurie Anderson。 Section 4 wk13-17 Immersive screen Invited artist (TBC) wk 18 feedback
Evaluation and grading policy	• Attendance and strong participation in class. 20% • Film analysis. 30%. • Midterm Oral presentation. 30% • Final project. 20%
Materials	All right reserved. Do not reproduce without permission. Foreign-language textbooks:Yes Refer to the syllabus.
The access to curricular consultation	cinewu@mail.ntut.edu.tw
The course corresponds to the SDGs
Note	Zuvio:121706611 課程因應疫情警戒等級規劃上課方式原則如下，實際實施日期與上課方式，依照學校網頁所公布之訊息為準： (https://oaa.ntut.edu.tw/p/404-1008-98622.php?Lang=zh-tw)